浮雕與圓雕的不同之處，在于它相對的平面性與立體性。它的空間形態(tài)是介于繪畫所具有的二維虛擬空間與圓雕所具有的三維實體空間之間的所謂壓縮空間。壓縮空間限定了浮雕空間的藝術(shù)美感發(fā)展，在平面背景的依托下，圓雕的實體感減弱了，而更多地采納和利用繪畫及透視學中的虛擬與錯覺來達到表現(xiàn)目的。與圓雕相比，浮雕多按照繪畫原則來處理空間和形體關(guān)系。但是，在反映審美意象這一中心追求上，浮雕和圓雕是完全一致，不同的手法形式所顯示的只是某種外表特征。
The difference between relief and round sculpture lies in its relative planarity and three-dimensional. Its spatial form is the so-called compressed space between the two-dimensional virtual space of painting and the three-dimensional solid space of round sculpture. The compressed space limits the artistic aesthetic development of relief space. Relying on the plane background, the sense of entity of round sculpture is weakened, and more virtual and illusion in painting and perspective are adopted and used to achieve the purpose of expression. Compared with round sculpture, relief mostly deals with the relationship between space and form according to the principles of painting. However, in reflecting the central pursuit of aesthetic image, relief and round sculpture are completely consistent, and different techniques and forms show only some appearance characteristics.
石材浮雕作為一種人們自己創(chuàng)作設計并雕刻的手工工藝品它是最古老的文明，并留給我們現(xiàn)代人豐富的歷史文化藝術(shù)遺產(chǎn)。再石材浮雕的創(chuàng)造中它始終用獨特的手法和行為藝術(shù)形式來豐富著人們的文明歷史。石材浮雕設計作為視覺上的藝術(shù)，它與其他的藝術(shù)形式是相同的，通過在一個平面上雕刻出凹凸不平的自己喜歡的圖案來突出視覺上的效果，展現(xiàn)出一副雕刻作品的生動形象，近幾年來石材浮雕用途廣泛，浮雕設計公司也不斷的增多。
Stone relief, as a handicraft created, designed and carved by people themselves, is the oldest civilization and leaves us rich historical, cultural and artistic heritage. In the creation of stone relief, it has always enriched people's civilization history with unique techniques and behavioral art forms. As a visual art, stone relief design is the same as other art forms. It highlights the visual effect by carving uneven patterns you like on a plane and shows a vivid image of carving works. In recent years, stone relief has been widely used, and relief design companies are also increasing.