西方雕塑與中國(guó)雕塑的區(qū)別需要從幾方面來(lái)分析，首先，社會(huì)公眾對(duì)他們就有本質(zhì)上的區(qū)別，在西方雕塑從業(yè)人員被稱(chēng)為雕塑家，他們跟畫(huà)家，美術(shù)家被看著 是同在一個(gè)群體，而在中國(guó)雕塑從業(yè)人員被稱(chēng)為工匠，他們社會(huì)地位低下，只被稱(chēng)為一般的普通從業(yè)人員，甚至是粗工。伴隨著西方雕塑的流入，這些雕塑從業(yè)人員 才被認(rèn)同，雕塑被列為美術(shù)的重要組成部分，中國(guó)雕塑家的地位才被提升，才增加了社會(huì)公眾對(duì)雕塑家的認(rèn)同。這是西方雕塑與中國(guó)雕塑有何區(qū)別的其中一個(gè)原因。
The difference between Western sculpture and Chinese sculpture needs to be analyzed from several aspects. Firstly, there is a fundamental difference between them among the public. In the West, sculpture practitioners are referred to as sculptors, who are seen as part of the same group as painters and artists. In China, sculpture practitioners are referred to as craftsmen, who have a low social status and are only referred to as ordinary practitioners, or even rough laborers. With the influx of Western sculpture, these sculpture practitioners were recognized, and sculpture was listed as an important component of art. It was only then that the status of Chinese sculptors was elevated, and the public's recognition of sculptors was increased. This is one of the reasons why Western sculpture differs from Chinese sculpture.
其次從實(shí)踐層面來(lái)講，在近代，盡管中國(guó)雕塑工匠與西方雕塑家在創(chuàng)作形式上極為相似，但是兩者肩負(fù)的社會(huì)責(zé)任大相徑庭。在中國(guó)，雕塑人員仍然是傳統(tǒng)分 工中的一員，其主要職責(zé)是為寺廟建筑塑像、為建筑雕刻石頭。一方面，他們沒(méi)有獨(dú)立創(chuàng)作的自由空間;另一方面，從表現(xiàn)對(duì)象、作品所處空間等方面來(lái)講，他們的 作品缺少介入社會(huì)現(xiàn)實(shí)的能力陽(yáng)雕刻 水刀切割機(jī) pvc軟管 手套生產(chǎn)設(shè)備 保定平面設(shè)計(jì)培訓(xùn) 保定室內(nèi)設(shè)計(jì)培訓(xùn) 果樹(shù)反光膜。而在西方，在“工作室”自由創(chuàng)作的雕塑能借助作品表達(dá)自己對(duì)社會(huì)的觀察，作品力量絲毫不弱于同時(shí)代的畫(huà)家。接受各方定件、從 中獲利的西方雕塑，其作品則可以進(jìn)入各種現(xiàn)代社會(huì)的公共空間，比如廣場(chǎng)、街頭、公園，其作品自然會(huì)引起公眾關(guān)注。這也是西方雕塑與中國(guó)雕塑有何區(qū)別的另一 個(gè)原因。
Secondly, from a practical perspective, in modern times, although Chinese sculptors and Western sculptors have very similar creative forms, their social responsibilities are vastly different. In China, sculptors are still part of the traditional division of labor, with their main responsibilities being to sculpt statues for temple buildings and carve stones for buildings. On the one hand, they do not have the freedom to create independently; On the other hand, in terms of the objects of expression and the space in which the works are located, their works lack the ability to intervene in social reality. In the West, sculptures freely created in "studios" can express their observations of society through their works, and their power is no weaker than that of contemporary painters. Western sculptures that receive orders from various parties and profit from them can enter various public spaces in modern society, such as squares, streets, and parks. Their works naturally attract public attention. This is also another reason why Western sculpture differs from Chinese sculpture.