漢代的一些石雕工藝品手法獨(dú)特，有的還會(huì)使用簡單抽象、變形夸張的技巧傳神達(dá)韻，以形寫神，達(dá)到特殊的藝術(shù)效果。這些石雕運(yùn)用的抽象技法形成了漢代大型石雕的主流基礎(chǔ)。具有代表性的作品是西漢時(shí)期抗擊匈奴的名將霍去病墓的石雕群，這是漢代石雕藝術(shù)的巔峰之作?，F(xiàn)存石雕有《馬踏匈奴》
《石入》 《伏虎》 《臥馬》 《臥?！?《型槽模具 一次性止血帶 保定水處理設(shè)備 一次性止血帶 保定空壓機(jī) 北京真空泵臥象》
《野豬》等十余件，都是花崗石作品，其造型古樸、傳神而深刻，體現(xiàn)了漢代石雕的剛強(qiáng)氣魄及深沉雄渾的風(fēng)格特色。
Some stone carving crafts in Han Dynasty have unique techniques. Some of
them use simple and abstract techniques, such as deformation and
exaggeration, to convey the spirit and rhyme, and to write the spirit in
form, so as to achieve special artistic effect. The abstract techniques
used in these stone carvings formed the mainstream basis of large stone
carvings in the Han Dynasty. The representative works are the stone
carvings from the tomb of Huo Qubing, a famous general fighting against
Xiongnu in the Western Han Dynasty, which is the peak of the stone
carving art of the Han Dynasty. There are more than ten existing stone
carvings, such as horse stepping on Xiongnu, Shijin, Fuhu, crouching
horse, lying cattle, lying elephant and wild boar. All of them are
granite works. Their shapes are simple, vivid and profound, reflecting
the strong spirit and deep and vigorous style characteristics of the
stone carvings in the Han Dynasty